Bio & Artist Statement
Krista graduated in 1994 from The Pennsylvania State University with a BA focusing on painting and biology. She then studies for two years at an atelier, The Schuler School of Fine Arts, in Baltimore, MD. In 1998, she earned her MA from the Johns Hopkins University in Medical and Biological Illustration. After establishing herself as a medical illustrator, she returned to painting and studied with painters at The Art League School in Alexandria, VA and completed a yearlong apprenticeship with portrait and landscape painter, Edward Reed. In 2007 she moved to Charlottesville, VA and began showing her work in Virginia and Washington, DC. Her work has entered many private and public collections including the University of Virginia Medical Center, Virginia Commonwealth University (VCU) Health System, Martha Jefferson Hospital, The Country Club of Virginia, and more. Her work is represented in Virginia by Glavé Kocen Gallery in Richmond and Les Yeux du Monde in Charlottesville, and in 2018 she joined Bee Street Gallery in Dallas, TX.
I am intrigued by, and aim to capture on canvas, the colors and abstract shapes that construct everything from a tree or field of flowers to the figure in an interior, domestic scene. Painting is about the joy of puzzling out how to express what I see and translate it into something wholly its own that expresses beauty, excitement, and wonder for the viewer.
Creating a painting is more consuming than the time I spend with the paintbrush, outside or in my studio. I don’t separate the intension or formation of an idea from the act of applying color to canvas. The creative process, as continuous and necessary to me as breathing, is always occurring, even as I have to step back and wait for answers to emerge on the canvas. Because of the continuity of the process through my daily life, there is a lot of self-discovery in my work, an inner dialog of questioning and allowing. I often spend a lot of time in the places that I paint, but I find that it’s actually in the act of painting that I really get to know my subjects. Painting helps open me up to this discovery, and information I subconsciously absorbed while in a place manifests in my work. But I always question why something appeared, what made it important enough to me that it has a home on my canvas. The collection of ideas, images and memories is very contemplative for me. I think about my place in this world and our human connection to and dependence on nature and on each other. When I get into the studio in front of the canvas, however, I have to let that go. I don’t expect to consciously figure out the answers in any one painting, maybe not even in a lifetime’s work. So, focusing instead on what’s happening in the moment on the surface of the canvas and allowing the work to lead me, reveals new ways of expressing myself.
The physicality of the whole process, from finding the inspiration to executing the painting, is an integral part of creating. I am not one to sit still for long and that restlessness affords many opportunities to find interesting subject matter. I am also apt to frequent the places that interest me and absorb them in a repetitive manner. Then, bringing observations and ideas back to the canvas, I revel in the movement of gesture and brush stroke, stepping away for contemplation, and turning back to the palette then the canvas. I move back and forth between a series of marks to the composition they create. I enjoy playing with that line between abstraction and realism and letting the painting pull me in one direction or the other. With every painting I push my technique, try new things, and question what works or doesn’t. Eventually, I find my way to a resolved painting that expresses the awe that inspired me originally.