About Krista
Krista graduated in 1994 from The Pennsylvania State University with a Bachelor of Arts focusing on painting and biology. She then studies for two years at an atelier, The Schuler School of Fine Arts, in Baltimore, MD. In 1998, she earned her Master of Arts from the Johns Hopkins University in Medical and Biological Illustration. After establishing herself as a medical illustrator, she returned to painting and studied with painters at The Art League School in Alexandria, VA and completed a yearlong apprenticeship with portrait and landscape painter, Edward Reed. In 2007 she moved to Charlottesville, VA and began showing her work in Virginia and Washington, DC. Her work has entered many private and public collections including the Eleanor D. Wilson Museum at Hollins University, University of Virginia Medical Center, Virginia Commonwealth University (VCU) Health System, Martha Jefferson Hospital, The Country Club of Virginia, and more.
Statement
My paintings are about my gratitude for nature. I take almost daily walks through my neighborhood and the mountains of central Virginia. I look at the gardens, shrubs, and trees in neighbor’s yards, at publicly maintained trails in the woods, and at my friend’s carefully curated wildflower meadow. I absorb and am soothed by the beauty and allure of nature. But I also question whose gardens are these? Humans don’t own nature as much as we stake our claim on plots of land. Humans can’t really control nature either, though we try. My favorite gardens are always the ones where the human who created it has lost control of it. The tangle of vines and sticks merge with flowers and grasses. The persistence of nature thrills and reassures me. In the end, she will win this game.
I believe that it’s not only our responsibility to tend to nature but our only option. On a personal and global level, working with nature is our path to longevity and survival. Not only does nature’s beauty bring personal joy and mental health, nature’s generosity feeds and supports physical health. To continue this symbiotic relationship, we have a responsibility to nurture her as much as she does us. And as I pause in awe and gratitude, I hope that my work encourages the same of my viewer.
On my walks, I document my experience with photography, then back in my studio, I put together compositions that explore these concepts. I find the most exciting part in a painting to be the dark recesses between the beautiful flowers or blades of grass. It’s not only where the painting begins by looking at the negative space between objects, but it’s the wonderment of what is in there. Whose home is that? Whose garden am I painting? I think about the ground and earth, the organic and inorganic that supports the lives of the plants, insects, birds, other mammals, and us.
My compositions focus closely on the plants and ground, zooming in on nature so that she dominates the canvas. I aim to demonstrate the power of nature to consume the space and continue to grow, to not be controlled. Nature pushes back and shows us that this garden does not belong to us.
Gallery Representation
Bee Street Gallery in Dallas, Texas
Les Yeux du Monde in Charlottesville, Virginia
LinDor Arts in Roanoke, Virginia
Honors, Awards, and Memberships
Semifinalist, Bethesda Painting Award, 2023
Children’s Hope Gala, Bon Secours, Richmond, VA, Featured Artist, 2020-2021
Virginia Center for the Creative Arts Fellow, Amherst, VA, J & E Berkley Foundation Fellow, 2019
Virginia Center for the Creative Arts, Amherst, VA, Fellow, 2017
Piedmont Council for the Arts, Charlottesville, VA, Member, 2013-2018
McGuffey Art Center, Charlottesville, VA, Member, 2010-Present
Selected Collections
Country Club of Virginia
Dominion Energy
Eleanor D. Wilson Museum at Hollins University
Emily Couric Clinical Cancer Center at The University of Virginia
Harris Williams
Inova Schar Cancer Institute
Miller Financial Services
Sentara Martha Jefferson Hospital
Towne Bank
University of Virginia Medical Center
Virginia Commonwealth University (VCU) Health System
Women's Center at Culpeper Medical Center
Press and Publications
Sargent, Sarah, “Natural progression: A dual show at Phaeton Gallery interprets beauty in layers”, C-ville Weekly, March 26, 2025
Sargent, Sarah, “Sense memory, Krista Townsend’s ‘Second Nature’ bursts with visual excitement”, C-ville Weekly, June 22, 2022
Richard DiCicco, In Charlottesville, Artists Disagree on How — or If — Art Can Heal the City’s Wounds, The Cl!ck, December 10, 2019
Sathe, Jane Dunlap, “Krista Townsend's new paintings at McGuffey explore strength in diverse forms”, Daily Progress, Oct 23, 2019
Gorey, CM, “In Living Black and White—with Shades of Gray: Colorless Expression Proves Lively in Second Street Gallery’s ‘She’s in Monochrome’”, Cville Weekly, October 17, 2019
Wright, Charles, “Check out Krista Townsend’s Artwork”, Voyage Dallas, May 1, 2019
Sargent, Sarah, "Immersion", Show Catalog, April 2018
Derby, Elizabeth, “Lightness of Being,” Cville Weekly, July 26, 2017, p. 33
Sargent, Sarah, “Warm Welcome Group show at McGuffey Invites Colorful Observations”, Cville Weekly, May 22, 2013
Community Work
Krista also believes in giving back to her community. Read about her public art work, medical illustrations, and community work.